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All the changes Taylor Swift made to Eras Tour setlist as she slams Matty Healy in Paris

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Taylor Swift made a triumphant return to the stage last night for the European leg of The Eras Tour.

Taking to the stage in Paris on Thursday night, Taylor, 34, thrilled fans when she put on a 3-hour-long show in the city of love. But the setlist - and outfits - were quite different to the last time she took to the stage.

After all, it's not a surprise that there would be changes due to the hitmaker releasing a 31-track album last month. But what are the changes and what can be expected next month when she arrives in the UK and thrills her British fans?

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READ MORE: Taylor Swift's new album isn't for Joe Alwyn or Matty Healy - it's for herself

Setlist changes

The original setlist has officially been scrapped, with a new running order now intact. Some songs have been cut, an entire new section has been added, and fans are a little bit divided.

The changes mean that the show now runs for 3hrs 9mins, with some fan-favourite tracks dropped completely from the setlist. Fan favourites including The Archer, Tolerate It, The Last Great American Dynasty and The 1 were dropped in favour of new songs like Fortnight and Down Bad.

Fans are particularly sad about the fact that Long Live, from the Speak Now album, has been dropped. Taylor added the song to the setlist after Speak Now (Taylor's Version) came out last summer, with the singer crooning the hit after Enchanted while donning a purple frock and playing her iconic Koi Fish guitar... and it seems European fans won't get to experience this.

The running order of the concert now begins with the Lover set, seeing Taylor sing Miss Americana and the Heartbreak Prince, Cruel Summer, The Man, You Need To Calm Down, and Lover. She then sings three tracks from her Fearless album: Fearless, You Belong With Me and Love Story.

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Next up, instead of the Evermore set, Taylor goes straight into the Red setlist where she sings 22, We Are Never Ever Getting Back Together, I Knew You Were Trouble, and the iconic All Too Well (10 Minute Version). She then croons Enchanted from Speak Now, before asking fans if they're ready for it with the Reputation set.

Wearing the same bodysuit she has worn for the Reputation set for more than a year, Taylor sings ...Ready For It? before crooning Delicate, Don't Blame Me and Look What You Made Me Do. Then, Taylor appears to have merged the Evermore and Folklore sets, singing Cardigan and Betty from Folklore before crooning Champagne Problems from Evermore.

Back to Folklore, she then sings August, Illicit Affairs and My Tears Richochet before heading back to Evermore for Marjorie and Willow. Then, Taylor ushers in the 1989 era with Style, Blank Space, Shake It Off, Wildest Dreams and Bad Blood.

Then, for the exciting part. The new era. "Female Rage: The Musical", as Taylor dubbed it. Performing seven tracks from The Tortured Poets Department Taylor sings But Daddy I Love Him, So High School, Who's Afraid Of Little Old Me?, Down Bad, Fortnight, The Smallest Man Who Ever Lived, and I Can Do It With A Broken Heart.

She then performs two surprise songs before ending with the Midnights set and singing Lavender Haze, Anti-Hero, Midnight Rain, Vigalante S---, Bejeweled, Mastermind and Karma.

Different outfits

Taylor left fans with their jaws on the floor when she emerged on the stage at the start of the Paris night one show in a different Lover bodysuit - which is one nobody had ever seen before. A gorgeous orange sunrise hue, Taylor rocked the zesty ensemble with matching glittering heeled boots.

For the Fearless set she rocked a similar look she wore on the original Fearless tour, which comprised of a black and silver dress with black knee-high boots. When performing the Red set, everything was the same with her looks apart from the slogan t-shirt she dons, which had a slogan never seen before. "This is not Taylor's Version", the t-shirt read.

A different prom-style dress was introduced for the singular song from Speak Now, and for Reputation, Taylor rocked the same red and black bodysuit she has done for more than a year.

For the Folklore and Evermore set, Taylor ditched her usual Evermore attire and rocked a traditional Folklore-style frock, but in a lemon-hue, which was a new look for fans to marvel over.

The 1989 outfit was a far cry from her usual looks, with Taylor embracing her former 2014-self when she rocked a flamingo pink and aquamarine-hued look comprising of a bra-top and a flappy miniskirt.

Then, for The Tortured Poets Department set, Taylor wore a gorgeous custom Vivienne Westwood gown which looked like a crumpled up piece of paper and had writing adorning it reading: "I love you, it's ruining my life," which are lyrics from the Fortnight single with Post Malone.

Taylor then whipped off the dress to reveal a bra and knicker ensemble before throwing on a gold jacket. For Midnights, Taylor wore her usual outfits, with a new addition of a different bodysuit for the Vigilante S--- performance, complete with a garter.

Matty Healy references

Of course, with Taylor introducing a set dedicated to The Tortured Poets Department, it was obvious fans would begin speculating what Easter Eggs related to her past fling with Matty Healy.

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Taylor performed The Smallest Man Who Ever Lived from TTPD, which is widely thought to be about her brief romance with Matty from The 1975. While performing the song, Taylor marched in a similar way to how Matty marches while singing a song on his band's tour, as pointed out by Swifties on social media.

The song, But Daddy I Love Him, is also thought to be about the controversial musician, with Taylor also hinting that the end part of the song changes from being about Matty to being about her current boyfriend Travis Kelce after incorporating So High School into the outro.

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